Donna Huanca and Przemek Pyszczek

Ana Finel Honigman , Artforum, July 1, 2015
Donna Huanca and Przemek Pyszczek both use a saccharine palette to demonstrate the hollowness of individuals’ and institutions’ attempts at masking bleak social realities with superficial glamour and artificial cheer. Just as candy and engineered sweeteners can be unhealthy substitutes for real sustenance, Pyszczek’s metal sculptures and the overly sweet colors in Huanca’s paintings—some made from high-end cosmetics on stretched suit wool rather than paint on canvas—signify the lack of real opportunities for personal expression, community support, and healthy play in many peoples’ lives and environments.