Peres Projects

Ad MINOLITI (b. 1980 in Buenos Aires, AR)

• Lives and works in Buenos Aires, AR

Education

2011

• Artistic Research Center of Buenos Aires (Centro de Investigaciones Artísticas), AR

2003

• BFA National Academy of Fine Arts Prilidiano Pueyrredón, AR

Upcoming Solo Exhibitions

• Peres Projects, Seoul, KR
• Peres Projects, Berlin, DE
• Galeria Agustina Ferreyra, San Juan, PR

Upcoming Group Exhibition

• Kadokawa Culture Museum, Tokorozawa, JP

Selected Solo and Two-Person Exhibitions

2022

• Biosfera Peluche / Biosphere Plush, Tate St Ives, Saint Ives, UK
• Furry Tales, curated by Rafael Barber Cortell, (part of Fantastic Interior), La Casa Encendida, Madrid, ES

2021

• Biosfera Peluche / Biosphere Plush, BALTIC Centre for Contemporary Art, Gateshead, UK
• *play theater', Centre de Création Contemporaine Olivier Debré (CCCOD), Tours, FR

2020

• Fantasías Modulares, curated by Isabel Casso, Massachusetts Museum of Contemporary Art, North Adams, US
• Nave Vermelhe, Kunsthalle Lissabon, Lisbon, PT
• Ad Minoliti & Zadie Xa, part of Siembra at kurimanzutto, Galería Agustina Ferreyra, Mexico City, MX

2019

• Atrium Project: Ad Minoliti, curated by Carla Acevedo Yates, Museum of Contemporary Art Chicago, Chicago, US
• Soft Museum, curated by Carla Barbero and Marcos Krämer, Museum of Modern Art Buenos Aires MAMBA, Buenos Aires, AR
• Construction House, curated by Jamilee Lacy, Hunt-Cavanagh Gallery, Providence, US
• Playboard, Galerie Crèvecœur, Paris, FR
• Margins of Ten, curated by Rosa Lleó, Galería Nogueras Blanchard, Barcelona, ES

2018

• The Feminist School of Painting, curated by Devon Bella and Amanda Nudelman, Kadist, San Francisco, US
• Dollhouse, Peres Projects, Berlin, DE
• Coven, curated by Marie Himmerich, Staatliche Kunsthalle Baden-Baden, Baden-Baden, DE
• Playground 2.0 CDMX, Galería Agustina Ferreyra, Mexico City, MX

2017

• PLAYPEN 4. SCL Edition, Galería Metales Pesados Visual, Santiago de Chile, CL
• G.S.F.C. 2.0 (GEOMETRICAL SCI-FI CYBORG), Cherry & Martin, Los Angeles, US
• Oh Time Your Gilded Pages, Disejcta Contemporary Art Center, Portland, US
• Proyecto Fachada, Sala de Arte Público Siqueiros, Mexico City, MX

2016

• Play Home, Galerie Crèvecoeur, Paris, FR
• Case Study Cat Houses, Casa del Sargento, Beta-Local, San Juan, PR
• Playtime, Edel Assanti Gallery, London, UK

2015

• Playpen, Recoleta Art Center, Buenos Aire, AR
• Playpen 2.0, Diablo Rosso Gallery, Panamá, PA
• CSH#14_utopía, Galería Agustina Ferreyra, San Juan, PR

2014

• What do you call this fantasy land?, Karen Huber Gallery, Mexico City, MX
• Play G, Big Sur Gallery, Buenos Aires, AR

2013

• Paris, Nuevo Museo Energía de Arte Contemporáneo (La Ene), Buenos Aires, AR

2012

• Playroom, Daniel Abate Gallery, Buenos Aires, AR

2011

• My fantasies at the Changarrito, Colegio San Idelfonso, Mexico City, MX
• Making objects of desire, studio performance, Casa Vecina, Mexico City, MX
• Centerpieces, Perfecta Couture, Buenos Aires, AR

2009

• Pre-construction Preview, BSM Studio Art Building, Buenos Aires, AR

2007

• Overfow, Cultural Center of Spain, Buenos Aires, AR

2006

• Artifcial Nature, La Casona de los Olivera, Buenos Aires, AR

2005

• No Name, Ruth Benzacar Gallery, Buenos Aires, AR

2004

• Photo Romance Novel, Festival of Light, Berlin, DE

Selected Group Exhibitions

2022

• Mis-Shapes, curated by Catalina Schliebener Muñoz, Tiger Strikes Asteroid, New York, US
• The Condition of Being Addressable, curated by Legacy Russell and Marcelle Joseph, Institute of Contemporary Art Los Angeles, Los Angeles, US
• Act 1: Body en Thrall, curated by Sarah Holdaway, Rugby Art Gallery and Museum, Rugby, UK
• Where Jellyfish Come From: Ad Minoliti, Shuang Li and Liu Yin, Antenna Space, Shanghai, CN

2021

• Painting in Person. The new Collection of the CRC Foundation, Complesso monumentale di San Francesco, Cuneo, IT
• New Time: Art and Feminisms in the 21st Century, UC Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkeley, US
• Histoires d’abstraction: Le cauchemar de Greenberg, Fondation d’entreprise Pernod Ricard, Paris, FR
• Minds Rising Spirits Tuning, curated by Defne Ayas and Natasha Ginwala, 13th Gwangju Biennial, Gwangju, KR

2020

• More, More, More, curated by Passing Fancy (X Zhu-Nowell and Frederick Cruz Nowell), with Elise Armani, TANK Shanghai, Shanghai, CN
• MERZBAU-GARTEN • Module II, Kinderhook & Caracas, Berlin, DE
• Olev Subbi: Open Landscape, curated by Àngels Miralda, Tallinn Art Hall, Tallinn, EE

2019

• May You Live In Interesting Times, curated by Ralph Rugoff, 58th International Art Exhibition of La Biennale di Venezia Venice, IT
• Forget Sorrow Grass: An Archaeology of Feminine Time, curated by Jianru Wu & Sirui Zhang, Guangdong Times Museum, Guangzhou, CN
• Kiss My Genders, Southbank Centre, London, UK
• Extra-Planetary Commitment, Lítost, Prague, CZ

2018

• LA CABEZA MATÓ A TODOS, Galería Agustina Ferreyra, Mexico City, US
• An American City: Eleven Cultural Exercises, FRONT International: Cleveland Triennial for Contemporary Art, various locations, Cleveland, US
• A Break Can Be What We Are Aiming For, Lacapella, Barcelona, ES
• Science Window, Kayokoyuki Gallery, Tokyo, JP

2017

• The Second Self, Peres Projects, Berlin, DE
• O! Watt up, De Watteau et du Théâtre, Fondation nationale des arts graphiques et plastiques, Paris, FR
• Café Kunsthalle, Baden-Baden, DE
• PintorAs, Galería Ruby, Buenos Aires, AR
• You See Me Like A UFO, Marcelle Joseph Projects, Ascot, UK
• Rule 35, Transfer Gallery, New York, US
• Ad Minoliti | Aleksandra Domanović | DIS | Lynn Hershman Leeson | Vikky Alexander | Wang Newone, Project Native Informant, London, UK

2016

• Notes from the future: a crossbreed laborer’s diary, Frac Des Pays De La Loire, Carquefou, FR
• Ways of Something, by Lorna Mills, part of Dreamlands: Immersive Cinema and Art, 1905–2016, Whitney Museum of American Art, New York, US
• What Matters? ¿Qué Cuenta? Was Zählt?, Oktogon Der Hochschule Für Bildende Künste Dresden, Dresden, DE
• What’s The Riddle, Pi Artworks London, London, UK
• Concrete, curated by Jaime Gili, Pullman Court, London, UK
• Zootopia, UV Study, Buenos Aires, AR
• Summer Fling - The Barn Show, Johannes Vogt Gallery, East Hampton, US
• Klemm, Codega, Guzmán, Cepeda, Minoliti, Pizani, Rojas, Fundación Federico Klemm, Buenos Aires, AR
• Homo Faber: Rainbow Caravan, Aichi Trienniale, Nagoya, JP
• Cathedrals of Consumption, Spinello Projects, Miami, US
• Elysian Redux, Asya Geisberg Gallery, New York, US
• Otros Lugares Comunes, IMPAKTO, Lima, PE

2015

• Species, Galerie Crèvecoeur, Paris, FR
• In, out, and between, Nube Gallery, Bolivia
• The Vault Screening, SPACES Gallery, Cleveland, US
• Cookie Gate, Ellis King Gallery, Dublin, IR
• My Buenos Aires, La Maison Rouge, Paris, FR
• Mercosur 10th Biennal: Messages from a New America, Porto Alegre, BR
• Experiências Pictóricas, Oscar Cruz Gallery, Sao Paulo, BR
• Monumento, Mite Gallery, Buenos Aires, AR
• Unión de Jevas Autónomas, Casa de Cultura Ruth Hernández Torres, San Juan, PR
• V: Adriana Minoliti, Alejandra Seeber, Dolores Furtado, Elena Dahn & Marcla Sinclair, curated by Carmen Ferreyra, Artemisa Gallery, New York, US
• Sucursal / Colección La Ene & GIM, curator Gaby Cepeda, Sala L.M. Quesada Garland, Lima, PE
• Colección La Ene, Art Dubai, Dubai, UAE
• Profil perdu, Gallery MC, New York, US
• Lorna Mills: Ways of Something, SAW Video, Ottawa, CA
• Ways of something, curated by Lorna Mills, Embassy of Canada, Berlin, DE
• X+1, Museum of Contemporary Art, Montreal, CA

2014

• Rare occupations, curated by Teresa Riccardi, Galería Gabriela Mistral, Santiago de Chile, CH
• El teatro de la pintura (The Theater of Painting), Museo de Arte Moderno de Buenos Aires, Buenos Aires, AR
• Ways of Something, curated by Lorna Mills, TRANSFER Gallery, New York, US
• Entre líneas, Galería Agustina Ferreyra, San Juan, PR
• Sucursal Museo La Ene, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, AR
• Click Click Click, Whitebox Art Center, New York, US
• Bellos Jueves, Museo Nacional de Bellas Artes, Buenos Aires, AR
• PintorAs, Universidad de León and Fundación de Cultura de Cadiz, ES
• ArtLima, Galería Raquel Schwartz, PE
• Apuff, NNM.Studio, PE
• SP-Arte, Oscar Cruz Galería, Sao Paulo, BR

2013

• (Des)afectos, curated by Gaby Cepeda, Bikini Wax, Mexico City, MX
• Herstory Inventory, Oakville Galleries, Toronto, CA
• PintorAs, Magda Bellotti Gallery, Madrid, ES
• Nenufares, Mundo Dios, Mar del Plara, AR
• Playpen, Centro Cultural San Martín, Buenos Aires, AR

2012

• L.E.A., Faena Arts Center, Buenos Aires, AR
• Ultimas tendencias II, Museo de Arte Moderno de Buenos Aires, Buenos Aires, AR
• PintorAs, La Maison de l’Argentine, Paris, FR
• Function Follows Form, curated by Aldo Chaparro Winder, Mexico City, MX
• En mi ser eterno, curated by Karen Huber, Galería 77, Mexico City, MX
• 2º Bataclán Internacional, Cine Erotika Ciudadela, Mexico City, MX
• Herstory Inventory, curated by Ulrike Müller, Kunsthaus Bregenz, AT; Brooklyn Museum, New York, US

2011

• ¿Por qué pintura?, curated by Leila Tschopp, Fondo Nacional de las Artes, Buenos Aires, AR
• PintorAs, Centro Cultural Borges, Buenos Aires, AR
• Museo Performático, curated by Liv Schulman, Museo Energía de Arte Contemporáneo, Buenos Aires, AR
• Un Museo Chévere, Museo La Ene, Medellin, CO

2010

• Twelve and under, Saffron Gallery, New York, US
• The constructive élan, Alejandra Von Hartz Gallery, Miami, US
• PintorAs, Museo de Arte Contemporáneo de Rosario (MACRO), Rosario, AR
• Figuras, MAC Cañada de Gomez, Santa Fe, AR

2009

• Beloved Structure, Alejandra Von Hartz Gallery, Miami, US
• Trash, curated by Rafael Cippolini, Fondo Nacional de las Artes, Buenos Aires, AR
• Antes de la lluvia, curated by Eva Ruderman, pinturas en el Centro Cultural Borges, Buenos Aires, AR
• Re-work, Jardín Oculto Galería, Buenos Aires, AR
• Adoración a la Madonna, Daniel Abate Galeria, Buenos Aires, AR
• Shopping, Mite Galería, Buenos Aires, AR
• Mañana temprano, curated by Ariel Mora. Salas de Arte SOSUNC, Neuquén, AR
• Crudo y exquisito, curated by Soledad Dahbar, Cultural Center of Spain, Buenos Aires, AR
• Lust for life, Buenos Aires Pavilion, Arteamericas, Miami, Eva Grinstein curator, sponsored by the Buenos Aires Goverment

2008

• “;)”, curated by Fernanda Laguna, VVV Gallery. Buenos Aires
• CONVI, Museo de Arte Moderno y Alianza Francesa de Buenos Aires, curated by Mónica Heller, Esteban de Alzáa and Rafael Cippolini, Buenos Aires, AR
• KDA, artists collective, curated by Diana Aisenberg, Crimson Galería, Cambridge, US
• “Solos y solas”, Oficina Proyectista, Buenos Aires, AR

2007

• Portela 164, paintings in Cordón Plateado, Rosario, AR
• La Casona de los Olivera, Cultural Center Recoleta, Buenos Aires, AR
• Portela 164, Expotrastiendas, Buenos Aires, AR
• “Somnolencia”, in collaboration with Viviana Blanco and Paulina Silva, Galería Miranda Bosh, Buenos Aires, AR
• “Shangrilala”, Boquitas Pintadas, Buenos Aires, AR

2006

• Portela 164, paintings in the Centro Cultural Borges, Buenos Aires, AR
• Fin de año, Oficina Proyectista, Buenos Aires, AR
• San Cristobal x 16, with Rodrigo Vazquez, Marcelina Di Pierro, Nicolas Dominguez Nacif, Amaya Bouquet, Diego Mur, among others, AR
• KDA y Portela 164, Centro Cultural Borges, AR
• Estudio Abierto Centro, installation in Correo Central building, AR
• Casa Joven Palermo, drawing with Provisorio Permanente, among others, AR
• Masiva, Club Niceto, Buenos Aires, AR
• Artechacra, ArteBA, Buenos Aires, AR

2005

• Ego trip, Galería Appetite, Buenos Aires, AR
• Artechacra.com en Periférica, Centro Cultural Borges, Buenos Aires, AR
• KDA, organized by Diana Aisenberg, Galería Crimson, Buenos Aires, AR
• “Golondrina-muestra colectiva de dibujo”, Centro Cultural Alberto Rougés, Tucumán, AR
• “6 en 1”, Museo de Chivilcoy Pompeo Boggio, Buenos Aires, AR
• Bastardo festival de video, organized by Julia Sánchez y Marina de Caro, AR
• La Recolección, Museo de Arte Latinoamericano de Buenos Aires (MALBA) and Museo de Arte Contemporáneo de Tucumán, AR

2004

• “EN CAJA”, Museo de Arte Contemporáneo de Santa Fe, invited by Federico Lanzi.
• Bazar Artístico Itinerante Tandil 04, Casa Chango, Tandil, AR
• La fotografía en la Recolección, FADU (UBA), Buenos Aires, AR

2003

• Kiosco de arte de Diana Aisenberg, with the participation of artechacra.com, Bellas Artes, Buenos Aires, AR
• “Dibujístico”, Materia Urbana, San Telmo, AR
• Collage, Emergente party, Casa Joven, Palermo, AR

2002

• Raspe y gane, El Dorado, Buenos Aires, AR

2001

• Very Important Parranda, Teatro La Palmera, Flores, AR

2000

• *Muestra anual de la Cátedra de Ester Nazarián, Belleza y Felicidad
• Exposición de pinturas, dibujos y esculturas, Banco Credicoop, Rivera Indarte 112
• Muestra de Dibujos y Pinturas, Banco Credicoop, Rivera Indarte 112
• Exposición de Pinturas, Salón Otoño II, Centro Cultural El Aleph

1999

• Muestra colectiva de pinturas, curated by Diana Aisenberg, Centro Cultural Rojas

1997

• Artefacto, ambientación, with Julieta Dolinsky, Centro Cultural el Arlequino

Residencies and Fellowships

2018

• Kadist, San Francisco, US
• Casa Wabi, Oaxaca, MX

2017

• Gasworks, London, UK

2016

• Ateliers internationaux, Frac Pays De La Loire, FR
• Beta-Local, International Artist in Residency, San Juan, PR

2015

• Net Art Microgrants, RHIZOME.org

2014

• R.A.T., Mexico City, MX

2013

• Quebracho Inc, New York, US

2012

• L.E.A., Faena Arts Center, Buenos Aires, AR
• National Grant, National Fund for the Arts, AR

2011

• FONCA CONACULTA Exchange Program Mexico-Argentina.
• Mobility grant to México from the Secretariat of Culture of Argentina.

2009-2010

• Study grant in El Centro de Investigaciones Artísticas, Buenos Aires

2008

• Selected to participate in the third edition of RIAA (Residencia Internacional de Artistas), AR

2007

• Línea Creadores Subsidy Metropolitan Fund for the Arts, Centro Cultural Rojas, AR

Awards

2017

• 12° National Contest UADE Art Institute, Buenos Aires, 2nd Prize Acquisition.

2015

• XIII Premio Nacional de Pintura Banco Central 2015
• The illy Sustain Art Prize Arco, for Solo Projects: Focus Latinamerica. (shortlisted)

2013

• Acquisition Prize at the Arcos Dorados Latin American Painting Competition
• Braque Award, Universidad Nacional de Tres de Febrero
• Museum Biennal MBA/MAC Bahía Blanca, 1st Place Acquisition
• Equality Programme, Cultural Ministry of Argentina, 1st Prize Acquisition

2012

• XV KLEMM prize, 2nd Place, Federico J. Klemm Foundation, Buenos Aires, AR
• National Salon of Rosario, Museo Castagnino, AR

2011

• XV KLEMM Prize, Federico J. Klemm Foundation, Buenos Aires, AR

2009

• Auction – Selection, MOLAA Awards, Museum of Latin American Art, Miami, US

2008

• National Salon of Rosario, Castagnino Museum, Rosario, AR

2007

• National Salon of Installation - Selection, Palias de Glace, AR

2006

• Proyecto A Contest – Selection, curated by Patricia Rizzo.

2004

• CURRÍCULUM CERO – 1st Prize, Galería Ruth Benzacar
• Proyecto A Contest – Selection, curated by Patricia Rizzo.

2003

• Proyecto A Contest – Selection, curated by Patricia Rizzo.

Collections

• Museo de Arte Moderno de Buenos Aires (MAMBA), Buenos Aires, AR
• The Solomon R. Guggenheim Museum, New York, US
• FRAC des Pays de la Loire, Carquefou, FR
• Centre National des Arts Plastiques (CNAP), Paris, FR
• Kadist Foundation, San Francisco, US
• Fondation Louis Vuitton, Paris, FR
• FRAC Normandie Caen, Caen, FR
• Pérez Art Museum Miami, Miami, US
• M WOODS, Beijing, CN

Selected Publications

2022

• Morrill, Rebecca, Great Women Artists, London: Phaidon, 2022
• Prime: Art’s Next Generation, London: Phaidon, 2022

2021

• Silva, Luís, FANTASIANXS, Lisbon: Kunsthalle Lissabon, 2021
• Ayas, Defne, Ginwala, Natasha and Winder, Jill, 13th Gwangju Biennale: Stronger than Bone, Gwangju: Gwangju Biennale Foundation; Berlin: Archive Books, 2021

2019

• Barbero, Carla and Krämer, Marcos, Ad Minoliti: Museo peluche, Buenos Aires Museo de Arte Moderno de Buenos Aires 2019
• Al-Kadhi, Amrou, Kiss My Genders, London: Hayward Publishing, 2019
• Margutti, Flavia Fossa, May You Live in Interesting Times, Biennale Arte 2019, Venice: Venice La Biennale di Venezia 2019

2018

• Martínez, Chus, Lammer, Elise and Lleó, Rosa (eds.), What is going to happen is not the future but what we are going to do, Rome: Nero Publications 2018

2014

• Müller, Ulrike, Herstory Inventory: 100 Feminist Drawings by 100 Artists, New York: Dancing Foxes Press 2014
• Bligh, Rebecca and Hedges, James Woodbridge, Ad Minoliti, Living The Future, Issue 1, February 2014

2013

• Minoliti, Ad, Play G, Big Sur, No. 2, Buenos Aires: Big Sur 2013
• Perlongher, Néstor, Prosa Plebeya, Buenos Aires: Editorial Excursiones 2013

2012

• Iglesias, Claudio (ed.), Tipos de espacio y expansividad emocional, Mexico: Caritafeliz 2012

2011

• Un Museo Chévere, Buenos Aires: La Ene - Nuevo Museo Energía de Arte Contemporáneo, 2011

2010

• Bruzzone, Gustavo (ed.), Es como si siempre hubiera estado ahí, romana, revistas de artes visuales, no. 101, June-July 2010

2008

• CONVI videolinks project, by Mónica Heller

2006

• Romano, Verónica, 3ª año Verónica Pérez Arango - Adriana Minoliti, 2obras, no.7, November 2006
• Cippolini, Rafael (ed.), La historia del arte es el banquete principal, romana, revistas de artes visuales, Poéticas Contemporáneas (II), no. 60, May 2006
• Crudo Ediciones, by Martin Legón

Selected Bibliography

2022

• Durón, Maximilíano, The Best Booths at Kiaf Seoul, From a Bevy of Nam June Paik Works to Dazzling Minimalism, ART News, September 2, 2022
• Carter, Dom, Ad Minoliti transforms Tate St Ives into a colourful, experimental biosphere, Creative Boom, June 21, 2022
• The Power of Play, Tate Etc., Issue 55, Summer 2022
• Braidwood Ella, The Argentine artist breaking barriers with ‘nonbinary geometry’ – and furries, The Guardian, May 16, 2022
• Gómez, Albert, ‘Furries’ para una infancia ‘queer’, Coolt, March 15, 2022
• Lavrador, Judicaël, Peinture contemporaine La nouvelle folie de l’abstraction, Beaux Arts Magazine, number 452, February 2022

2021

• Huret,Marie, L'artiste Ad Minoliti installe son "théâtre bienveillant" et féministe à Tours, Madame Figaro, December 3, 2021
• Celeux-Lanval, Maïlys, Ad Minoliti transforme le CCC OD en havre féministe et joyeux, Beaux Arts Magazine, October 12, 2021
• McCeney, Jesse, Ad Minoliti: Outer Space for Everyone, Metal Magazine, September 27, 2021
• Fox, Genevieve, Ten amazing UK escapes for art-lovers, The Guardian, October 10, 2021
• Lloyd-Smith, Harriet, Celebrating the female artists of contemporary Latin America, Wallpaper, March 8, 2021

2020

• Doran, Kerry, Ad Minoliti, Artforum, vol. 58, no. 7, March 2020
• Abbott, Katherine, ‘Cartoon’ has new meaning in carnival exhibition at Mass MoCA, The Berkshire Eagle, January 30, 2020
• Fernandez, Mariana, Ad Minoliti Riffs on the Visual Language of Kid’s Books in Her
• Otherworldly Installations, Observer, January 27, 2020

2019

• Parajó, Marcelo, Ad Minoliti redefine los opuestos y las jerarquías desde un gran espacio de juego, Perfil, November 1, 2019
• Steinman, Pablo, Museo Peluche: La muestra que hay que visitar, Marie Claire Argentina, 31 October, 2019
• Chatruc, Celina, De sala de exhibición a espacio de juegos: Minoliti abre “Museo peluche” en el Moderno, La Nacion, October 30, 2019
• Davis, Ben, Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition, Artnet News, May 9, 2019
• Chatruc, Celina, Ad Minoliti, más allá de las fronteras, La Nacion, April 28, 2019
• Greaney, Patrick, Ad Minoliti, Artforum, vol. 57, no. 7, March 2019
• Moffitt, Evan, Artist Ad Minoliti Imagines the Feminist Future of Space Exploration, Frieze, February 25, 2019

2018

• Wilson, Emily, A Feminist Workshop on How to Paint Anatomy and Nudes, Hyperallergic, November 15, 2018
• Butler, Thomas, Ad Minoliti, L’Officiel Art International, Issue 27, October 2018
• Dos Santos, Charlotte, Ad Minoliti, contemporary art society, June 26, 2018
• On the Rise: Ad Minoliti, Artsy, April 30, 2018
• Dambrot, Shana Nys, Ad Minoliti at Cherry and Martin, Los Angles, January 9, 2018

2017

• Pagel, David, Your invitation to dreamland awaits at Ad Minoliti’s exhibition at Cherry and Martin Gallery, Los Angeles Times, September 20, 2017
• ‘G.S.F.C. 2.0 (Geometrical Sci-Fi Cyborg)’ at Cherry & Martin, Los Angeles, Blouin ARTINFO, August 22, 2017
• Cuello, Nicolás, Yes to the future: Feminism as a Tender Utopia, The Late Shift, August 21, 2017
• Boucher, Brian, A First Glimpse at the FRONT Triennial, Cleveland’s Bold Play to Forge the Next documenta, Artnet News, July 19, 2017

2016

• Dupuis, Dorothée, Refusing Salvation, Terremoto, November 7, 2016
• Portfolio by Ad Minoliti, BOMB Magazine, April 11, 2016
• Davie, William, Gender in the Digital Age, Aesthetica, March 29, 2016
• Westall, Mark, Ad Minoliti: PLAYTIME, FAD Magazine, March 14, 2016
• Queer & Modernism in London, Artichoke Magazine, Issue 54, March 2016
• Basciano, Oliver, This week’s exhibitions, The Guardian, March, 2016
• Cepeda, Gaby, Artist Profile: Ad Minoliti, Rhizome, February 23, 2016

2015

• PlayPen 2.0, Terremoto, November 29, 2015
• Gigena, Daniel, La pintura tiene premio, La Nación, November 5, 2015
• Sotillo, Irlanda, Las figuras discursivas de la artista Adriana Minoliti, La Prensa, October 25, 2015
• Paris, Texas, The Drawer, Issue 09, September 2015
• Dergarabedian, Agustina, Playpen: Una muestra de arte digital impulsada por Epson, Portinos, July 3, 2015
• Acevedo-Yates, Carla, Ad Minoliti’s “CSH#14_utopia”, Art Agenda, April 7, 2015
• Benjamin Sutton, There’s Nothing Sexier Than an Independent Art Fair, Hyperallergic, March 5, 2015
• Cotter, Holland, Review: Independent Art Fair Combines Less is More and Growth, New York Times, March 5, 2015

2013

• Qualina, Florencia, Metafísica sexy: las obras raras de Adriana Minoliti, Artishock Magazine, August 13, 2013
• El Concurso + Solo Show Arcos Dorados de Pintura Latinoamericana ya tiene un ganador, Host News, May 5, 2013

2012

• Play Girl, Radar, October 28, 2012