Shuang LI (b. 1990 in Wuyi Mountains, China)

• Lives and works in between Berlin, DE and Geneva, CH

Education

2014

• MA in Media, Culture and Communication, New York University, Steinhardt School of Culture, Education and Human Development

Current Group Exhibitions

• Mire Project, Public Art Programme, Fonds cantonal d’art contemporain (FCAC) in collaboration with the Centre d’Art Contemporain de Genève and the Office de l’urbanisme, with the cooperation of the SBB, Léman Express Line, Geneva, CH
• The Milk of Dreams, curated Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, IT

Upcoming Group Exhibitions

• RAM Highlights 2022: The Good Life, Rockbund Art Museum, Shanghai, CN
• Ghost 2565: Live Without Dead Time, curated by Christina Li, various locations, Bangkok, TH

Selected Solo Exhibitions

2022

• nobody's home, Peres Projects, Berlin, DE

2021

• Among Us, Cherish, Geneva, CH

2020

• Exit Wound, Callie’s, Berlin, DE
• I Want to Sleep More but by Your Side, Peres Projects, Berlin, DE

2019

• Intro to Civil War, Open Forum, Berlin, DE

2018

• If Only the Cloud Knows, SLEEPCENTER, New York, USA

2016

• Comment il s’appelle, Lab 47, Beijing, CN

Selected Group Exhibitions

2022

• The September Issues, curated Mohamed Almusibli, Peres Projects, Milan, IT
• Company Gallery, New York, US
• Are Artworks Contemporary?, Galeria Madragoa, Lisbon, PT
• Double Vision, curated by Tobias Berger, Jill Chun and Daniel Ho, Tai Kwun Contemporary, Hong Kong, HK
• Where Jellyfish Come From: Ad Minoliti, Shuang Li and Liu Yin, Antenna Space, Shanghai, CN

2021

• Utopia, Peres Projects, Berlin, DE
• Curtain, Para Site, Hong Kong, HK
• Lemaniana: Reflections of other scenes, Centre d’Art Contemporain Genève, Geneva, CH
• Same things make us laugh, make us cry, Body Archive Project, ETH, Zurich, CH

2020

• Emerging Media Artist Exhibition, OCAT x KADIST Foundation, Shanghai, CN
• In This Layered World All Perception is Real, Kunstverein Bielefeld, Bielefeld, DE
• We Came to Linger, ALL Club, Shanghai, CN
• How Do We Begin, curated by Poppy Dongxue Wu, X Museum Triennial, Beijing, CN
• Resistance of the Sleepers, curated by Ara Yun Qiu, UCCA Dune, Beidaihe, CN
• One (Illegitimate) Child, curated by Jianru Wu, International Studio & Curatorial Program (ISCP), New York, US

2019

• Modes of Encounters: An Inquiry, curated by Biljana Ciric, Times Museum, Guangzhou, CN
• Buddhist Youth and Mild Protests, Goethe Institute, Beijing, CN
• hic sunt leones, Beijing Gallery Weekend up & coming sector, Beijing, CN

2018

• Cosmopolis #1.5: Enlarged Intelligence, Mao Jihong Arts Foundation in collaboration with the Centre Pompidou, Paris, FR
• Genders Engender, Taikang Space, Beijing, CN

2017

• We Have Always Lived in the Future, Flux Factory, New York, USA Southern Climate, N3 Gallery, Beijing, CN

2016

• You Won’t Be Young Forever, No. 235 Guang Fu Road, Shanghai, CN BAGISM, K11 Chi Art Museum, Shanghai, CN

2015

• Post Internet is Dead!, Fisher Gallery, Oberlin College, Ohio, USA

2014

• Voyage Never Knows, Gu Cang Contemporary Center of Image, Lanzhou, CN

Residencies

2020

• Callie’s, Berlin, DE
• Cherish, supported by Pro Helvetica, Geneva, CH

Selected Publications

2022

• Cecilia Alemani (ed.), Biennale Art 2022: The Milk of Dreams, Venice: La Biennale di Venezia/Silvana Editoriale, 2022

2019

• Modes of Encounter: An Inquiry, Guangzhou: Times Museum, 2019

2015

• GЯΔPΣҒRUIT, self-published, 2015

Selected Bibliography

2022

• Bruce-Jones, Henry, Shuang Li & Osheyack reflect on the death of the image in ‘Still’, Fact Magazine, August 24, 2022
• Arnold, Frances, Berlin: Shuang Li, Art Asia Pacific, Issue 129, July/August 2022
• 5 Bright Young Talents the Artnet Gallery Network Is Watching This May, artnet news, May 23, 2022
• Alarcón, David, Between Screen and Body, Metal Magazine, May 2, 2022
• Cassidy, George, 032c Selects: Berlin Gallery Weekend 2022, 032c, April 29, 2022
• Kan-Sperling, Olivia, Venice Dispatch: from the Biennale, The Paris Review, April 29, 2022
• Art in Berlin: Our highlights of the Gallery Weekend, Monopol, April 29, 2022
• Bellini, Andrea, Processing Placelessness: When Screens take Bodies, Flash Art, no. 338, Spring 2022
• Gaskin, Sam, Venice Biennale 2022 to Reframe Art History as a Story of ‘Symbiosis, Solidarity, and Sisterhood’, Ocula Magazine, February 4, 2022
• Chow, Vivienne, The Venice Biennale’s Main Exhibition Will Challenge the Idea of ‘Men as the Center of the Universe’—See the Full Artist List Here, Artnet News, February 2, 2022
• Venice Biennale Reveals Artists for 2022 Edition, Artforum, February 2, 2022

2021

• Image Contributions, Spike Art Magazine, no. 69, Autumn 2021
• Jeppesen, Travis, Openings: Shuang Li, Artforum, vol. 60, no. 1, September 2021
• Li, Shuang, Glacier 3000, Leap Magazine, March 9, 2021
• Shuang Li at Cherish, Art Viewer, March 3, 2021

2020

• Acha, Gabriela, Shuang Li: Soul, Desires, and Affections, Heichi Magazine, May 28, 2020
• Michalarou, Efi, ART CITIES: Berlin-Shuang Li, Dream Idea Machine, March 17, 2020
• 30 Under 30 2020: The Arts, Forbes, March 2020
• Li, Alvin, A Group Show in Guangzhou Makes the Case for Slow Production, Frieze, February 6, 2020
• I Want to Sleep More but by Your Side, Artland, February 2020

2019

• Vukaj, Ernela, Sensual Landscapes: An Interview with Li Shuang, Berlin Art Link, August 20, 2019
• Shuang Li: Intro to Civil War, 032c, August 1, 2019
• Li, Alvin, Hacked by Cloudbursts: Shuang Li, Mousse Magazine, Issue 67, Spring 2019

2018

• Movius, Lisa, No end to gender woes? Time’s not up in Asia, The Arts Newspaper, March 29, 2018