"INVESTED AS THEY ARE IN QUESTIONS OF MONUMENTALITY, WILLIAMS ACCEPTS NEITHER NATURE NOR CULTURE AS A BLANK SLATE THAT CAN BE
REINVENTED BY ARTISTS. RATHER, THEIR WORK ENGAGES IN THE COMPLICATED REPARATIVE LABOR OF UN/EARTHING HISTORICAL TRUTHS IN PLACES
WHERE SUCH RECORDS NO LONGER EXIST."
– WENDY VOGEL ON KIYAN WILLIAMS, ARTFORUM, 2022
Spanning performance, sculpture, and video, Kiyan Williams’ (b. 1991 in Newark, New Jersey, US) practice exhumes ignored histories. Attracted to everyday materials and unconventional methods, including singular processes of appropriation and transformation, the artist subverts traditional monumentality and national symbols. In doing so, Williams roots out the hegemonic narratives that those convey and celebrate. Embracing fragments and cracks, their works are reminiscent of ancient ruins or relics that simultaneously conjure up decay and capacities for resilience. By making, unmaking, and remaking, Williams creates embodied works that both fill lacunas and question power dynamics. Soil, in particular, is a recurring material and metaphor that Williams uses to delve into American history and identity, thus unearthing the historical and ongoing forces that have shaped, and tightly tied together, bodies and land.
-
Untitled (Self Portrait 2), 2024Painting - Earth and chrome41 x 25 x 3 cm (16 x 10 x 1 in)
-
Untitled (Self Portrait 1), 2024Painting - Earth and chrome41 x 25 x 3 cm (16 x 10 x 1 in)
-
Untitled (Fried and Suspended Flag), 2024Sculpture - Nylon flag, egg, seasoning, binder, steel frame and hardware132 x 86 15 cm (52 x 34 x 6 in)
-
Fried and Suspended Flag 8, 2023Mixed media - Nylon flag fried in adobo, anise, cardamom, crushed red pepper flakes, chili powder, eggs, flour, hawaij, jerk rub, seasoning salt, sazón, smoked cocoa, scotch bonnet, oregano, paprika, turmeric, sumac and resin.
Frame: steel tube, steel rod, steel chains, steel hooks152 x 106 x 3 cm (60 x 42 x 2 in) -
Molten Statue of Freedom 3, 2023Sculpture - Hydrostone gypsum plaster, silver nitrate, metal, hard foam, resin65 x 50 x 52 cm (26 x 20 x 21 in)
-
Earth and Light (Study 2), 2023Painting - Silver nitrate, earth, resin on canvas, aluminum and wood frame124 x 97 cm (49 x 38 in)
-
Between Starshine and Clay, 2022Sculpture - Earth, sandstone, wire, hardware305 x 244 x 244 cm (120 x 96 x 96 in)
-
Between Starshine and Clay
Kiyan Williams 2023年9月7日 - 11月19日 首尔Peres Projects is pleased to present Between Starshine and Clay by Kiyan Williams, the artist’s first s...继续 -
《作为将来时的过去》
基恩·威廉姆斯 2023年6月8日 - 7月14日 米兰Peres Projects荣幸在米兰空间为您呈现《作为将来时的过去》( A Past That Is Future Tense),带来 美国艺术家基恩 ·威廉姆斯( Kiyan Williams) 的最...继续
-
The White House Has That Sinking Feeling (Thanks to an Artist)
Zachary Small, The New York Times, 2024年3月22日 -
Kiyan Williams Is Deep Frying the American Flag
Hugh Hayden, Interview Magazine, 2024年2月29日 -
The Past Haunts the Present: Kiyan Williams
Philipp Hindahl, Mousse Magazine, 2024年1月17日 -
Taking My Body Out of Work
David Alarcón, Metal Magazine, 2023年10月13日 -
Interview with Kiyan Williams
Riccardo Pillon, Émergent Magazine, 2023年10月1日 -
Six Must-See Exhibitions over Seoul Art Week
Sherry Paik, Ocula Magazine, 2023年8月31日 -
Spend Juneteenth Celebrating Black Artists
Cultured Magazine, 2023年6月19日 -
10 exhibitions to see this week in Italy
Silvia Airoldi, Elle Decor Italia, 2023年6月10日 -
Inside Kiyan Williams’ Earthen Odes to Ancestral Power
Wren Sanders, Them, 2023年4月21日 -
The Black Artists Claiming More Space Than Ever Before
Emily Lordi, The New York Times Style Magazine, 2023年3月24日 -
The Moon is Trans: On Cultivating an Aesthetics of Reaching
Jeanne Vaccaro, Texte zur Kunst, 2023年3月1日 -
Kiyan Williams Puts the American Flag in a Frying Pan, Young Artists 2023
Elisha Tawe, Cultured Magazine, 2022年12月2日 -
Kiyan Williams, Unsettling the Histories of Public Sculpture
Marica Antonucci, Monument Lab, 2022年9月26日 -
New York: Kiyan Williams – LYLES & KING
Wendy Vogel, Artforum, 2022年9月1日 -
Why This Artist Is Deep-Frying American Flags—and Inviting Guests to Bring Their Favorite Seasonings for the Batter,
Taylor Dafoe, Artnet News, 2022年6月3日 -
Pick of the Week: Kiyan Williams Hammer Museum
Lauren Guilford, Artillery Magazine, 2022年6月2日 -
Forms That Don’t Exist Yet
Louis Bury, BOMB Magazine, 2021年11月10日 -
Kiyan Williams Digs Into the Meaning of Soil
Louis Bury, Hyperallergic, 2020年11月7日 -
Alumni Artists Featured at the Shed in Hudson Yards
Rebecca Shapiro, Columbia Magazine, 2019年7月1日 -
13 Artists Reflect on the Stonewall Riots
Zoë Lescaze, The New York Times Style Magazine, 2019年6月27日 -
Queer Artists in Their Own Words: Kiyan Williams Uses Dirt to Unearth the Exploitation of Black People in America
Zachary Small, Hyperallergic, 2019年6月19日 -
Commemoratating Stonewall Through the art of Queer Millennials
Rebecca Carroll, WNYC News, 2019年6月5日 -
It Is Necessary to Be Able to Dream…
Magnus Rosengarten, Contemporary& Magazine, 2016年10月6日
-
KIAF Seoul
2023年9月6日 - 9月10日Peres Projects looks forward to presenting a curated booth for KIAF Seoul 2023 with a selection of works by artists from the gallery program. Encompassing...继续 -
Art Basel
2023年6月13日 - 6月18日Peres Projects looks forward to presenting a curated booth for Art Basel 2023 with a selection of new works by artists from the gallery program,...继续