The eight paintings in Beth Letain’s first London show, “Signal Hill,” came as a breath of fresh air to those of us caught between the hectic chaos of the Royal Academy of Arts’s ever-popular salon-style summer exhibition and the London art world’s dominant ethos of post-YBA knowingness. The appeal of the Berlin-based Canadian’s stripped-back abstractions lies in their breezy sense of touch and rhythm delivered on a majestic scale.
London: Beth Letain
Sherman Sam, Artforum, 2018年11月1日