Dash Snow
Untitled (ass-cat our $ and die), 2007
Dash Snow
Untitled (Circles in wood), 2007
Dash Snow
Untitled (cloud postcards), 2007
Dash Snow
Untitled (Your Days are Numbered), 2007
Dash Snow
Untitled (Kennedy Assassinated), 2007
Dash Snow
Untitled (At Least They Died Together), 2007
Dash Snow
Untitled (In Progress), 2007
Dash Snow
Untitled (black 3 flowers), 2007
Dash Snow
Untitled (Circles psychadelic), 2007
Dash Snow
Untitled (Mr. Potato Head), 2007
Dash Snow
Untitled (Middle finger, plastic flower), 2007
Dash Snow
Untitled (girl on frame back), 2007
Dash Snow
Untitled (cum in mouth/circles), 2007
Dash Snow
Untitled (gun on wood), 2007
Dash Snow
Untitled (Secret Secret), 2007
Dash Snow
Untitled (yellow collage), 2007
Dash Snow
Untitled (woof woof), 2007
Dash Snow
Untitled (driven by greed-pope), 2007
Dash Snow
Untitled (Why Grow Old), 2007
Dash Snow
Untitled (No Love Without Death Penalty), 2007
Dash Snow
Untitled (Troubled/Sleep), 2007
Dash Snow
Untitled (Girls on metal disc), 2007
Dash Snow
Untitled (One of a Kind), 2007
Dash Snow
Untitled (sports illustrated), 2007
Dash Snow
Untitled (Notebook page circles), 2007
Dash Snow
Untitled (little pinky), 2007
Dash Snow
Untitled (Bell jar/nest), 2007
Dash Snow
Untitled (Dirty Bomb Scare), 2007
Dash Snow
Untitled (it asked for you!), 2007
Dash Snow
Untitled (Don't Wait For Ever/The Smartest Pretty Thing), 2007
Dash Snow
Untitled (Thank you), 2007
Sept 22 – Nov 10, 2007
Opening Saturday, Sept 22, 6 – 9 pm
Javier Peres is very pleased to present Dash Snow in his first Los Angeles solo exhibition “God Spoiled A Perfect Asshole When He Put Teeth In Yer Mouth”. The artist will present a new body of work that includes photographs, collages, sculptures, a video and installations.
When William S. Burroughs drug-soaked stream of consciousness first hit, its radical, inspired literary rhythms genuinely represented the counter-cultural mores of a vital new underground. Best known for his insider photographic record, alternately poetic and gross, Dash Snow captures a crude reality of thriving lower east side subculture emblematic of such Burroughs-esque dissidence. Yet in the endless and official shit-storm of backlashes and counter-counter-cultural ascendancy, Snow’s recorded moments offer a perspective unfazed.
His more recent foray into collage conveys the pathos of destruction transformed by the creative impulse. How difficult is it for the totemic to become void, then terrifying, then sacred again? In contrast to the succinct and guileless quality of the documentary photographs, the shapes used in his collages shift and combine obscurely. Snow deploys forms of hermeticism, surrealism and, most evidently, DADA as the work transforms benign objects into hallucinatory passages both beautiful and sinister.
Finally, collapsing notions of action and the absurd, Snow also presents his first film, projected on the gallery ceiling through the gallery floor. 8mm documentary footage of a recent performance in situ spreads over the room like a wet blanket.
Dash Snow (b. 1981) lives and works in NY and will be present for the opening.
“God Spoiled A Perfect Asshole When He Put Teeth In Yer Mouth” will be on view at Peres Projects (969 Chung King Road, Los Angeles, California) through Nov. 10, 2007. Hours: Tuesday through Saturday, from 11:00 A.M. to 6:00 P.M and by appointment.
For further information or reproductions please contact Sarah Walzer at tel. (213) 617-1100 or Sarah@peresprojects.com.