Mexico City: Donna Huanca

Berlin-based Bolivian-American artist Donna Huanca, through a dimly lit indigo tunnel. It led to a wall illuminated by the projected hues of DOS, PIEDRA QUEMADA (CLAY), PARRAJO (Two, Burnt Stone [Clay], Vine), 2021, a silent video of moving colors painted on the skin of what looked like a human belly crunching, stretching. At one point, mischievous squirts of copper paint come at the earth-and-sky colors on the belly: blue, green, yellow, bits of white clouds and black birds. Promptly, a hand appears to smear the metallic paint, its sheen taking over everything, penetrating skin folds, oozing under fabric, spreading everywhere.