LOS ANGELES — For the first time in its history, the recessed, ground-floor gallery at the Marciano Art Foundation looked like the backstage of a women’s fashion show. A clothing rack held odd garments and hair extensions, a model sat having her makeup touched up, and others shuffled around in white robes.
Bare Skin is the Canvas for Donna Huanca
Jori Finkel , The New York Times, July 14, 2019