Brent Wadden

Maggie Barrett, The Brooklyn Rail, June 3, 2015

Stand inches away from a Brent Wadden canvas and the work takes on a similar monumentality to a Clyfford Still painting. The edge of a given shape seems to drop into a bottomless void. A few steps back, however, with the canvas in full view, these shapes form a pattern—those canyons are now part of a flat surface without depth. From this distance the eye skates from swatch to swatch, absorbing the variation in surface color and texture. All of the eight works on view oscillate, at times assuming the flat surface of a geometric design, at others, the depth of a landscape.