Rebecca Ackroyd produces installation that responds to the architecture of Zabludowicz Collection

LONDON.- The metaphoric association between body and building is a recurring motif in Rebecca Ackroyd’s work: pipes become limbs, vents become orifices, and frames become rib cages. For her solo exhibition at the Zabludowicz Collection, titled The Root, Ackroyd has produced a sculptural installation that responds directly to the architecture of the gallery space, covering and inverting its surfaces in a manner that suggests a turning inside out.