The ecstatic erotic art of Dorothy Iannone

Richard Kostelanez, New English Review, November 30, 2016

One myth propagated in post-1970 America held that artists, especially avant-garde artists, no longer needed to go abroad to establish their careers, thanks to increasing largess from our universities and arts councils; but this smug assumption was false, simply because American institutions scarcely supported truly advanced artists, some of whom earned greater recognition abroad.